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OUR MISSION IS
STUDENT SUCCESS…ACADEMIC, ARTISTIC, AND HUMANISTIC
45 Prince Street at University Rochester, NY 14607
242-7682
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ATTENDANCE ON PROM DAY
I understand that in order
for my SOTA student to attend prom on June 9, 2017 from 7:00 pm – 11:00 pm
he/she must be present periods 1-5 in order to attend Prom.
I do give permission for my
SOTA student to be dismissed after 11:30 am.
Please dismiss my child
____________________________________________ at ______________
(Student Name) (Time of Dismissal)
I can be reached at 585 -
_____________________ if you have any questions.
_________________________________________ ___________________________
Print/Sign Name
Date
Please return this form to
Ms. Moffett in the Main Office.
*********************************************************************************
INVITED GUEST WHO IS ATTENDING HIGH
SCHOOL
Dear Principal/Administrator:
School of the Arts will be
celebrating our Junior/Senior prom on Saturday, June 9, 2017 at the Eagle Vale
Country Club. It has come to our
attention that a student from your school has been invited to join us in our
celebration. We are very excited to
share this evening with your student, who we expect to be in good behavior and
academic standing. To that end we would
ask that you complete this form ensuring us that your student will be able
represent your school in the manner in which we would all expect.
Please complete the form
below and fax (585) 256-6580 it scan it back to us ASAP.
Thank
you for your cooperation!
SOTA Student name____________________________________________________________
Guest Name______________________________ Guest
School________________________
- Is this student in good academic
standing? Yes_____ No_____
Comments:
_______________________________________________________________
- Would this student be eligible to
attend an event at your school? Yes____ No____
Comments: ________________________________________________________________
- Has this student attended school
90% of the school year?
Good______ Fair______
Poor______
Comments: ________________________________________________________________
Signature of Principal/ Administrator __________________________________________
Sincerely,
JoAnn M. Aspenleiter
JoAnn
Aspenleiter – 585-242-7682 ext. 6333
Junior/Senior
Class Administrator School of the Arts
****************************************************************************************
Novemb
GUESTS NOT ATTENDING SCHOOL
Dear Parent of a SOTA student,
Your School of the Arts
student is requesting permission to bring a guest to prom who is currently not
attending high school. At this time we
ask that you vouch for your child’s date by completing the following
information:
SOTA Student Name: _________________________________________________________
Guest Name:
________________________________________________________________
Guest’s Age and Birthdate:
____________________________________________________
(Guest cannot be 21 years old or older)
Phone number where you can be
reached during the hours of 7:00 p.m.-11:00 p.m. if needed:
Home -
______________________________________________
Cell -
_______________________________________________
Please Note: The guest must be prepared to turn over
his/her photo ID upon entering the Eagle
Vale Country Club for the duration of the evening. If the guest does not have a
photo ID, he/she will not be able to enter the ballroom.
Sincerely,
Jo Ann M. Aspenleiter
Assistant Principal, School
of the Arts
(585) 242-7682 ext. 6333
*********************************************************************************
2017 Prom Promise
I
understand that attendance at the
School of the Arts Junior-Senior Prom carries certain obligations for me and
any guest I may choose to bring.
I
understand that I will not attend
the prom under the influence of any of any controlled or illegal substance. I will not use alcohol or other drugs before
or during the prom. I understand that if, chaperones suspect that I am under
the influence of any such substances, they will refuse entrance to me and my
guest and that no refund will be issued.
I
understand that I will not leave Eagle Vale once I enter the building. I
will be required to stay within the confines set by the chaperones. I may not go out to a limousine, car or walk
around the area. I understand that once
I do choose to leave the building, I will not be able to return inside.
I agree
to abide by all decisions and instructions of the chaperones. Any guest I choose to bring will also abide
by all these instructions. My guest and
I will willingly leave our ID’s at the door upon check in and will pick them up
at the conclusion of the prom.
____________________________________________
(Student Name) – PRINT
____________________________________________
(Student Signature)
____________________________________________
(Name of Guest) – PRINT
____________________
(Date)
WHERE CAN I FIND COMMUNITY
SERVICE OPPORTUNITIES?
Learning targets:
I can respond thoughtfully to diverse perspectives; synthesize comments, claims, and evidence made on all sides of an issue;
I can propel conversations by posing and responding to questions that probe reasoning and evidence.
I can integrate multiple sources of information presented in diverse formats and media .
I can present information, findings, and supporting evidence, conveying a clear and distinct perspective.
I can analyze nuances in the meaning of words (images) with similar denotations.
I can make strategic use of digital media (e.g., textual, graphical, audio, visual, and interactive elements) in presentations to enhance understanding of findings, reasoning, and evidence and to add interest.
I can adapt speech to a variety of contexts and tasks.
In class: we are looking at some essentials for good composition, so as to give your a framework for tomorrow's classwork, after which please read the following article and then watch the two videos.
Content questions that are due at the close of class on Wednesday:
1. Explain the difference between the rule of thirds and a phi grid. What is the advantage of each? Why is one preferable over the other?
2. Explain: pattern
3. Explain: symmetry
4. Explain: texture
5. Explain: depth of field
6. Explain: lines
7. List the qualities needed to be an effective photojournalist.
8. Give three reasons how photojournalism differs from other types of photography?
9. What is an advantage of a still photograph?
10. What are some of the issues explored in photojournalism?
11/ 12. I approximately 50 words, how does a photographer become part of the story?
Essentials for taking a good photo
1.
2. Make sure your composition is spot-on
1.
Think about your shots
Whether that’s physically looking at a sweeping view in front of you or visualizing an image in your head, this is the point when you should start asking yourself questions.
What has drawn you to this image? Why do you want to capture it? And what is it that you hope to achieve?
2. Make sure your composition is spot-on
Whenever you look through your camera’s viewfinder, or line up a shot on the LCD screen, you take your first step towards composing a shot.
(Art majors- you are probably familiar with the golden spiral, which goes back to classic painting techniques.)
Perhaps the most widely used rules in photography, and certainly one of the easiest to work with in the field, is the Rule of Thirds: it’s simple, yet effective.
The rule of thirds is applied by aligning a subject with the guide lines and their intersection points, placing the horizon on the top or bottom line, or allowing linear features in the image to flow from section to section.
Make sure you are familiar with the rule of thirds and the golden ration (phi grid). This will be a factor in eventually grading the photos you both analyze and take.
This is very important; please watch. You are responsible for the information.
This is very important; please watch. You are responsible for the information.
rule of thirds vs golden ratio
Five Essential Elements of Composition
pattern
symmetry
texture
depth of field
lines
10 Key
Traits of Winning
Photojournalists
by Alex Garcia
1. A lone wolf orientation.
I emphasize lone rather than wolf, although there is that. Lone wolves seem to drift away, not content with hanging out with the pack. They roam the landscape with a restless hunger looking for photos and stories they can dig their teeth into. They may roam countries or communities alone for stretches of time, away from all creature comforts, in the pursuit of the hunt. If you see them on assignment, they may flash their teeth enough to throw off your ability to concentrate. Coming on the heels of a pleasant conversation, their aggression may make you take a few steps back and wonder what just happened. But it's nothing personal.
2. Single, or have a flexible family life.
Most winning photojournalists are single, or have a flexible family life. It makes sense. If you're creating serious bodies of work on people or distant locales, you can't be in two places at the same time. Divorce is a common theme as well. As I've heard more than one photographer say, "photography is my mistress".
3. An Immovable Faith in the Power of an Image.
I'm not talking a mustard-seed faith. I'm talking the kind of faith that moves mountains -- or makes you able to ride a burro for seven days in the driving snow through dangerous rebel territory over mountains. All in the pursuit of an image that will make a photograph that tells the next greatest story ever told. There is another side of this passion, however, and that is the consequences of the image, are usually thought of only in positive terms. Of course, if you really second-guessed yourself because of the negative consequences of an image, you wouldn't undertake the major effort to make it.
4. Fearless
You know the scene in Apocalypse Now, where Robert Duvall as Lt.Colonel Kilgore strolls through a battle zone and doesn't flinch through explosions as everyone else cowers? That kind of fearless. You can have faith in the power of an image, but if you aren't fearless, you'll make a hasty retreat and hope no one else gets it. The reason why some winning photojournalists' images are that much more fascinating is because they have that component of "What the heck were you doing there? Are you crazy?!" I really think there is a physiological difference at work here..
5. Fast and Decisive
In this business, you hesitate and you're lost. Maybe because of their aggression, their fearlessness and their conviction, winning photojournalists understand this. Actually, understand is a terrible word. That involves cognition. They act on instinct and emotion. An opportunity comes? It's seized. A door opens? They run through it. A soldier turns his back? Gone. Their photos have an edge because they know how to anticipate where the action will be better than the next person. And they unapologetically pursue it, even if by doing so they might offend someone's sensibility or get themselves shot.
6. Ability to Self-Edit
When it comes times to transmit their images, or edit contests, more often than not, winning photojournalists can edit their own work extremely well. Ruthless in a good way. Their images don't typically have an ambiguous quality to them. The images and stories flow because of their decisive shooting and editing. Whereas other photographers might fall in love with some of their own lesser images for personal reasons, or have a contest entry get derailed in their editing, they don't. Photos either work or they don't. And more often than not, they do.
7. Competitive, Very
This should go without saying. There is an addage that the way you are with yourself is the way you are with other people. Competitive people are competitive with themselves first, which is why even if no one is around, they will be pushing themselves as far as they can go. But it can turn off others around them.
8. Clever
In every aspect. Photojournalists get a bum rap of being "shutterheads" (i.e., - "how hard is it to push a button?"). But the top photojournalists are actually smart, canny and very clever. So much of getting a picture is getting to the right place at the right time. On the way there are a host of logistical, technical, bureaucratic and personal issues that will trip many people up along the way. In the business world, they call this 'barriers to entry'. And they are legion. The photojournalist who doesn't take no for an answer, who out-thinks the rest, or outlasts the rest, is usually the one who prevails.
9. Relentless
Day in, day out. Year in, year out. Their relentless passion and ambition precedes them. They can't get an assignment to go somewhere? They'll pay their way. Use vacation. Shoot weekends, nights, and mornings. If you think their life is tilted heavily towards their work, it is. But if you look at any of the great contributions made to any field of endeavor, you will find someone who doesn't punch the time clock at work. It's because they don't have a time clock! All their moments are either working ones, or transitional moments before going back to work.
10. Anointed
I say this because I can't find a better way to put it. Luck doesn't describe the good fortune that winning photojournalists perennially enjoy. For every Nobel Prize peace activist accepting an award on stage, there are 5000 more in the bush disposed of by authorities. Likewise, there are many amazingly talented photojournalists you've never heard of. They either lost their way before anyone heard of them, or their careers were brought down by family concerns, illness, finances, or politics. Winning photojournalists are incredibly gifted, and they have made sacrifices most of us will never make. That alone sets them apart. Whether it is on the shooting field or in their home life, their life choices are ones that many people can only wonder about, or be envious of. But their success is not just their own.They have been the beneficiary of circumstances that seem to go their way, and this leaves the rest of us in amazement.
photojournalism part 1 8 minutes
photojournalism part 2 10 minutes
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